“Francis tangles his fingers in with Arthur’s and asks for him to care.”
I.
He is galvanised into action only when he finds that his almost-death has resulted in an almost-person. Alfred has always been passionate in his anger, and productive. Far more so than when he is calm, sedated and quiet.
(He wonders, sometimes, if the doctors in that emergency room had ever regretted saving him, and whose life had been wasted for it. Too much blood loss, too fast, and he’d not driven a car since. Withdrawals in a sick bed would put anyone off driving, but now he doesn’t trust himself, and won’t let himself behind the wheel of a car. If he is ever again saved at the cost of someone else’s life, he thinks he’d kill himself. And that would be a waste for everyone.)
The world has changed, he thinks, but not necessarily for the better. They’re playing God like this, trying to decide the worth of one life against another.
And somewhere, there is a copy of him running around. Because he was dying in a hospital, clinging to his life by the thread of an IV, and he hadn’t been expected to live. That must be the criteria. The people no one will miss, the people that die without anyone’s help.
sam, stop being so perfect.
Actually, the “door” in question is actually not a door at all!
If we turn this “door” clockwise we reveal…
…that it is actually a door frame!!
It is a piece of paneling from the doorframe in the First Class lounge based off a piece that was actually recovered:
This piece isn’t more than 3cm at maximum thickness!
In reality, if the panel in the movie was based off the actual panel,
It shouldn’t have held either of them afloat!!
Holy fuck
omfg Layton
LAYTON PLEASE
WHAT THE ACTUAL FUCK
(Source: fuckyeahidiotsonfacebook)
Court dress of Empress Alexandra Fyodorovna, 1890’s
From the State Hermitage Museum
elissa likes art - no.22
alphonse mucha (1860-1939)
the more probable outcome of Arthur joining the Imperial Camel Corps `v` /kicked
Dunno how to name the camel… she looks like a Margaret… or a Bertha
